Smashing Pumpkins – ATUM (Akt 1) (15.11.) Sam Ryder – There’s Nothing But Space, Man! Pogendroblem – Alles was ich jetzt noch hab sind meine Kompetenzen
Stereopolina – Guests Without A Future (EP) On-U Sound– Lucifer On The Moonīright Eyes – Digital Ash In A Digital Urn: A Companionīright Eyes – Lifted Or The Story Is In The Soil, Keep Your Ear To The Ground: A Companionīright Eyes – I’m Wide Awake, It’s Morning: A Companionīruce Springsteen – Only the Strong Survive (Soul Music Covers)Ĭhristine And The Queens Presents Redcar – Redcar les adorables étoiles (prologue) The Damned – A Night Of A Thousand Vampires November 2022ĭean Fertita – Tropical Gothclub Luke Haines – All The Kids Are Super Bummed Out (mit Peter Buck) King Gizzard & The Lizard Wizard – Changes Two And A Half Girl – Evidence Of A Broken Mindįoo Fighters – The Essential Foo Fighters
The Soft Pink Truth – Is It Going To Get Any Closer Than This? Sleater-Kinney – Dig Me In: A Dig Me Out Covers Album Siouxsie And The Banshees – All Souls (Classics & Rarities) Ruby The Hatchet – Fear Is A Cruel Master Hot Mass – Happy, Smiling And Living The Dream The 1975 – Being Funny in a Foreign LanguageĪrchitects – The Classic Symptoms Of A Broken Spirit Suir – Not All Of Your Pain Is Self-Chosen Red Hot Chili Peppers – Return Of The Dream Canteen Pup – Pup Unravels Live In Front Of Everyone They Know (EP) Peter Maffay – Tabaluga: Die Welt ist wunderbar Leonard Cohen – Halleluja & Songs From His Albums King Gizzard & The Lizard Wizard – Laminated Denim (12.10.) Kevin Rowland & Dexys Midnight Runners – Too-Rye-Ay As It Should Have Sounded 40th Anniversary Remix John Carpenter, Cody Carpenter and Daniel Davies – Halloween Ends (OST) Girls In Synthesis – The Rest Is Distraction Oktober 2022īackstreet Boys– A Very Backstreet Christmasīiffy Clyro– A Celebration Of Endings – Live From The Barrowland Ballroom
Manche Neuerscheinungen werden nicht im Vorfeld angekündigt. VÖ-Termine von CD oder Vinyl können abweichen. When the lights came on indicating the end of the show, there wasn’t one dissatisfied face in the house.ĭutch Masters delivered a great show with a dope ambiance and left all attendees with an enhanced awareness of what it means to #BurnSlow.Die folgenden Veröffentlichungsdaten beziehen sich auf die Streamingdienste. They recited his lyrics word for word, as Jeezy commanded every inch of the stage and room. If you gon’ be a master craftsman, you have to treat this s# like every verse is your first verse, every show is your first show, every song is your first song, and every ad lib is your first ad lib.”īy the time Jeezy performed, the crowd was already unbelievably hyped. he answered, “It’s never been about the money it’s always been about the movement and what you represent. When asked by Kenny his definition of what it means to be a master craftsman. īefore hitting the stage, Jeezy sat with Kenny Burns for a Q&A. In between the non-stop partying and musical madness, attendees were gifted with Dutch Masters swag and made slow motion social media videos via the interactive stations. Kenny Burns, the host for the packed event, kept the crowd energized between performances, while DJ Esudd made sure the party atmosphere continued to heighten as he played hit after hit. Da Deacon of Miami shocked the crowd when he brought a marching band on stage to perform his hit song “Michael Jackson.” The tattooing goddess known as Dutchess Lattimore, formerly of “Black Ink,” also surprised the attendees with her very first music performance alongside Ricky Blow.
On the Way” himself, DJ Luke Nasty, hit the stage for a surprise performance during DJ Esudd’s set and it was a crowd favorite. Tone The Goat hit the stage with high energy that caused the packed house to quickly get into his vibe as he performed “Burn Slow,” a song specifically for Dutch Maters. The lines to enter the venue extended down the street and the space was packed to capacity as fans anticipated a great show. (AllHipHop Features) Dutch Masters presented The Southwest Takeover at the Vulgan Gas Company, a state of the art venue in Austin, Texas and it was just that … a takeover.
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